He Gong
Born in 1955 in Chongqing, China
Obtained a master’s degree from Sichuan Academy of Fine Arts in 1985
Went to the United States in 1986
2005-2021, Professor of Art, Sichuan University.
Currently lives and works in Chengdu and Los Angeles
Selected Solo Exhibitions
2019 Out of Place – Solo Exhibition of He Gong’s Works, Shanghai Himalayas Art Museum, Shanghai, China
2015 Return of the Exiles – He Gong’s Solo Exhibition, Yushanghe Mei Art Museum, Chengdu, China
2011 Migrant Bird Project – Solo Exhibition of He Gong’s Works, San Francisco Henry Koo Art Fund, San Francisco, USA
Selected Group Exhibitions
2021 Chengdu Biennale – Super Fusion, Chengdu, China
2020 Being of Life, Mesa Art Museum, Mesa, USA
2019 Shared Myth – The Second Anren Biennale, OCT Center for Contemporary Art (OCAT), Chengdu, China
2017 Today’s Past – Anren Biennale, Qiaocheng Center for Contemporary Art (OCAT), Chengdu, China
2013 Edinburgh Festival, Edinburgh, UK
2013 Parallel Exhibition of the 55th Venice Biennale, Venice, Italy
During the Cultural Revolution, He Gong was sent to the countryside for seven years to do manual labor. That experience, he says, “made me realize the true condition of China” and ignited his hatred of ideology and political control. In the mid-1980s he went to the United States to study—ironically, one of the first Chinese artists to do so with government support. It was a turning point: for the first time he was free to choose what he wanted to do. One day he came across an old railway station, preserved intact for a century. “It was all black and grey with age. It took me back to the past. It was like going back to the origin of things,” he recalls. At that moment, he decided to abandon the use of color: “Black and white represents the original state of being. It’s about dream and reality, contradiction and conflict.” His series The Occasion recaptures his memories of that vision in four huge paintings, each more than two meters square and covered with cobweb-like meshes of brushstrokes. Close up, the canvas looks chaotic, yet with distance recognizable forms emerge. When monochrome became trendy, He Gong began using color again. He Gong was born in 1955, Chongqing. He now lives and works in Chengdu, Sichuan, China & Frazer Park, California, USA.
Hanta Does a Handstand
Hanta Does a Handstand
He Gong, Multi-media Painting Installation,
Dimensions: 400 cm x 300 cm, 2023.
Piece Description
Text: Dr. Sophia Kidd
In this artwork, He Gong explores the ways in which the books we read create inner spaces. Hanta is a character in the novel Too Loud a Solitude by Czech writer Bohumil Hrabal.
Hanta worked as a compactor of wastepaper and books for 35 years and took the opportunity to read as many books as he could before compacting them. He saved the best ones and created his own private library.
Hanta didn’t just read books, he placed a story on his tongue and savored the flavor, allowing the spaces in the stories he read to mingle with his own inner affective spaces.
Tahiti Green
He Gong, Multi-media installation,
Two orbs, approx. 300 cm x 300 cm, 2023.
Piece Description
Text: Dr. Sophia Kidd
He Gong is a cultural nomad whose path has covered North and South America, Asia, the Middle East, and Europe. He plans to travel to Africa and Oceania next. Maps play an important role in his travels and artistic creations.
In addition to investigating nature and geography, he takes humanistic, social, and historical landscapes as material for his artistic practice of storytelling. Tahiti Green is shaped like a globe and made from yak skin, with the map drawn in the manner of a tattoo.
From the words written by He Gong on the surface of the earth, we glean information about great geographical discoveries, colonial invasions, and the mentality of emerging economies enjoying post-colonial culture.
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